Do not adjust your set – this episode of The Matineecast begins slightly different than normal.
As it happened, I was midway through editing this post when the sad news about Philip Seymour Hoffman came down. Like so many of you, I was both shocked and saddened. His career had come so far in such a short time, I believed that we were seeing the beginning of something…never that we would so quickly witness its end. As I thought about Seymour Hoffman and his amazing body of work, my brain soon drifted to the part he plays in my all-time favorite film.
The rather crucial part he plays in my all-time favorite film.
So I thought it fitting that The Matineecast mourn Philip by starting this episode with a beautiful moment of his from that film. They are words to live by, and while they might have originally been Lester Bangs’, or Cameron Crowe’s, they are also – in so many ways – Phil Seymour Hoffman’s.
Here’s what’s in store in episode one-hundred-and-five…
Runtime
79 minutes
Up for Discussion
1. Introduction
2. KNOW YOUR ENEMY– Q& A with this week’s guest Rick Sandlas (3:51)
3. COME TALK TO ME – Fielding some listener feedback on family dinners they’d rather skip. (14:36)
4. THE NEW SLANG – Review and reaction to AUGUST: OSAGE COUNTY (28:00)
5. THE OTHER SIDE – Ric couples GRAN TORINO (51:37)
6. THE OTHER SIDE – Ryan couples CATCH ME IF YOU CAN (63:07)
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Comments and feedback are welcome, and thank-you very much for listening.
Enjoy!
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This was a lot of movie analyzing fun! I may have to revisit my top 10 great films you only want to see once list. Keep up the good work Ryan!
You did good buddy – thanks again for being such a great guest and for spreading the word.
Got an idea for the feedback question? Your cast of a heist film?
I saw We Are What We Are (which is actually a remake of a 2010 Mexican film) when it played as the opening film of Toronto After Dark.
Here’s the trailer – http://youtu.be/OQbS5YuBTNM
I saved some shockers from actually telling you at that pub night. Tell me which one you would pick out of everything I told you and I will watch it.
Anyway as for a heist film I would take the Seven Samurai in 1954 and just transplant them as the crew of a heist film. Alternatively the Wild Bunch.
Almost. Famous.
get on it.