Lynn Shelton reminds us of the big conflict in small situations.
Author: Ryan McNeil
It’s easy to say 2016 has been a rough year for film, but what’s easy to say might not be entirely accurate when we get outside the multiplex.
Thinking about what I’ve seen naturally leaves me about what I’ve missed.
The sensuality and forgiveness of film, as only Antonioni could provide.
Cram all of society into one narrow filing cabinet, and we shouldn’t be surprised when the cabinet breaks. The question is, do we want to watch that happen?
Mia Hansen-Løve steps into the booth to drop the needle on both a sound and a scene.
After the douse of cold water that was WUTHERING HEIGHTS, I find myself intrigued for more Andrea Arnold.
Thirteen years later, we just keep swimming.
The writing and direction of Julie Delpy took centre stage this week, as did the poor sales job it gets.
Are we ready to look at the lives of our soldiers, with an uncomfortable amount of clarity?
Relationship approval from our parents is nothing compared to relationship approval from our children.
Reed Morano brings a new twist to the #52 Project; The first film directed and shot by the same woman. The result are real, and they are spectacular.