Ryan McNeil
– Our Top Five of 2018 –
Runtime
141 minutes
Up for Discussion
1. 1. Introduction with Ariel Fisher from After All, Petula Neale from In a TIFF, and Lindsay Ragone
2. THE FIVES (3:37)
3. THE FOURS (19:08)
4. THE THREES (36:23)
5. THE TWOS (1:13:34)
6. THE ONES (1:44:03)
Tracklisting
(0:00) “Missing U” by Robyn
(4:51) “White Label” by NAS
(7:41) “High Horse” by Kacey Musgraves
(11:11) “Hard On a Heart” by Ashley Munroe
(14:32) “Moon Girl” by Luluc
(17:19) “Party for One” by Carly Rae Jepsen
(20:23) “Reindeer Games” by oso
(23:39) “Drive” by Aimee Mann
(27:08) “Say Something” by Justin Timberlake
(31:39) “Everything Must Go” by Kiersey Clemons and Nic Offerman
(34:44) “Hearts Beat Loud” by Kiersey Clemons and Nic Offerman
(37:36) “All the Stars” by Kendrick Lamar
(41:17) “Pray for Me” by The Weeknd and Kendrick Lamar
(44:43) “Ganja Burn” by Nicki Minaj
(49:27) “Dark Saturday” by Metric
(52:59) “Suspirium” by Thom Yorke
(56:12) “Nameless, Faceless” by Courtney Barnett
(59:16) “Cut Me Off” by Madeline Kelly
(1:02:30) “If It Feels Good (Then It Must Be)” by Leon Bridges
(1:05:34) “Souk Eye”by Gorillaz
(1:09:39) “Humoresque by Jack White
(1:12:28) “Hunger” by Florence + The Machine
(1:15:56) “Los Ageless” (piano version) by St. Vincent
(1:20:25) “My Enemy” by Chvrches ft. Matt Berninger
(1:23:36) “Pink Lemonade”by James Bay
(1:27:45) “Woman” by Cat Power ft Lana Del Rey
(1:32:31) “Charcoal Baby” by Dev Hynes
(1:36:33) “Scared of The Dark” by Lil Wayne & Ty Dolla $ign
(1:40:13) “White Flag”by Bishop Briggs
(1:43:47) “This is America” by Childish Gambino
(1:47:10) “Lemon Glow”by Beach House
(1:51:04) “Tints” by Anderson .Paak
(1:55:28) “Night Shift by Lucy Dacus
(2:01:50) “Nobody” by Mitski
(2:04:51) “Nothing Breals Like a Heart” by Miley Cyrus and Mark Ronson
(2:08:17) “Shallow” by Lady GaGa and Bradley Cooper
(2:11:28) “Date Night” by Father John Misty
(2:13:54) “Baby I Love You” by Ryan Adams
(2:17:00) “You’re Not Alone” by Andrew W.K.
(2:19:52) “Django Jane” by Janelle Monae
Thoughts from your host…
It was a strange year for me around these parts.
On the one hand, as some of you might have noticed, I lost a bit of my writing mojo. Posts became much more infrequent than they had been in the past, and a space that used to be updated every single day for more than three years running could sometimes go two whole weeks without new written content.
To this, all I can say is that I struggled to find the words sometimes. I write from the heart, and some nights in 2018, I found my heart very heavy. I plan to work on my whole approach in 2019, so hopefully this can be both the end of something and the beginning of something better.
On the other hand, as you might NOT have noticed, I got a great bit of momentum behind me for the podcast! Every guest that dropped by this year brought the goods. Almost every movie we chose to talk about gave us a lot to dig into. We never took an unexpected break. TIFF delivered much more content than it has the past few years, and our September hiatus did exactly what I needed it to at a time when I needed it most.
To this, I can only express my gratitude, to the people who help me make this show happen and to those who keep listening.
So if I’m looking back at 2019 on this space, I’m seeing some lost opportunities and some work I’m really proud of. It’s not the greatest hand to be dealt, but one I will certainly play!
As for the show at-hand, well get ready because I have something epic in-store.
I gave the usual year-end format of two ladies and two gents a little bit of a shake-up this year, and the results were…exactly…what I was hoping for. Three of my favorite guests – three of the people who challenge me most in-conversation, and likewise in life. In bringing them all together at the same table, I had a feeling we’d be able to get more into the final episode than the typical “this was great, that was great” discussion.
And lordy was I right…
As usual, this year-end conversation is long – so pace yourself. But this time it’s lengthy for a reason as my guests detour more than once into some personal, powerful, and profound directions. 213 also brought about a first, as it marks the very first time a guest cries mid-discussion. Listen for it.
So this is it; 2018 on this podcast and this space is done-for. 2019 lays before us with great uncertainty and great potential. There will be much to do in the year ahead and much to talk about, and I can’t wait to get into it with incredible people like the guests I gathered, and wonderful listeners like you.
As usual, if you’re curious about the songs used as bed music, the track list can be found above in the show notes.
As mentioned within the introduction, if you find the bed music distracting, a music-free version of this episode can be found here.
Links from The Show:
Ariel’s piece on BMD where she compares the LAST JEDI throne room fight to online dating
Thanks for tuning in to episode two-hundred-thirteen, and all the best for the new year!
Ariel’s Personal Twitter feed can be found here. Petula‘s Twitter feed can be found here. Lindsay‘s Twitter feed can be found here.You can subscribe to the Matineecast via iTunes or RSS
Comments and feedback are welcome, and thank-you very much for listening.
Enjoy!
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